♬♪ A Voyage Around My Ears ♬♪
It is certainly not in the same league as having your space craft blow up whilst half-way to the moon, but the unfortunate thing about writing a tool like Niente to keep an eye on how logically-consistent your tagging of your music collection has been over a span of about 23 years is that... it has a horrible tendency to show you've been making silly mistakes all these years!
Here's my current situation, which is indeed a bit of a problem: [...]
As promised (rather longer ago than I'd like to admit!), Niente Version 3.0 has finally been released. It's my 'FLAC checker' tool, just as Giocoso is my FLAC player and Semplice is my FLAC tagger.
It's a very substantial re-working of the Version 2 code, so upgrading is non-trivial and you'd basically better commit to completely re-working your crontabs to schedule it, and so on. The principle new feature is that it now runs on MacOS and Windows. [...]
I've been aware for years that it's possible to produce the sorts of images you see in the thumbnail at the left of this post: frequency analysis graphs of an audio file of one sort or another. Audiophiles have been swooning over them for years, but I never have. If my ears were satisfied with the sound of a recording, what additional good would it do me to do a spectrum analysis of that recording?
Well: for the most part, I still think that's true... but I had a very specific reason for dabbling in them lately, which then led me down the rabbit hole of finding them fascinating! I thought I'd share a little about it. [...]
I've long been an advocate for registering the fact you just played concerto X or symphony Y with a web-accessible store of data, such as Last.fm. I've been doing precisely that with everything I've played since January 8th 2008, so Last.fm have a record of about 14 years of my listening history. The thumbnail at the left shows you that's quite considerable: 202,000+ "scrobbles" (i.e., a record of the completion of a 'play') have been received in that time,
My top 'plays' as recorded by Last.fm are (in descending order) Britten, JS Bach, Vaughan Williams, Handel and Sibelius -which isn't so hugely different from what has been recorded on this very website since June 2021. [...]
It seems numerically appropriate that 22/11/22 should be signifcant, but it would be significant anyway as the 109th anniversary of the birth of Benjamin Britten (and St. Cecilia's Day, patron saint of music). As is customary in these parts, Britten's will be the only music played today.
It is full of wit, orchestral brilliance, profound pain and darkness and unerring insight into the mind of Man. His is not the sweet, pastoral music that comforts without challenge, but it is extremely well-crafted and brings its own rewards in good time -and I commend it to anyone that wants to listen to some of the best music of the 20th Century.# [...]
A new version of Giocoso, the randomising classical music FLAC player, is released today: the version number increments to 2.01.
The new version's main new features are most documented here, but the short version is: [...]
Last Tuesday, myself and Mark drove off at the crack of dawn from Nottingham, en route to my favourite place in the Universe... Aldeburgh.
We had an appointment with someone at 1pm, which I'll get to. But I never like to leave things until the last moment, so I insisted we leave at 6AM, which meant -with a break for a cooked breakfast- we ended up arriving in Aldeburgh at 10.30, rather earlier than anticipated! [...]
As regular readers will probably know, I'm a bit of a Linux fan: I first installed it in about 1997, with horrible results (no mouse, no network, no graphics, no printer... pretty typical for the time, I think!) I was using Red Hat 8 and 9 (the last desktop distros produced by that company, not the Enterprise Server version they make today) in around 1999/2000. My main laptop was using Fedora 18 or so in 2012. My main desktop used to oscillate back-and-forth between Windows and assorted Linux distros on a monotonously regular basis -but, around 2015, with the advent of Windows 8, I decided to ditch Windows completely. I then did the usual distro hop around the likes of Ubuntu, Fedora and Mint before finally settling down with Manjaro KDE, which (with occasional lapses in other directions) I've been with for years now.
I still maintain Windows virtual machines -and, indeed, the Other Half's PC is resolutely Windows 10 to this day, since there appears to be a general reluctance to ditch the likes of Adobe Photoshop for photograph management from that direction! [...]
Giocoso has had its version number bumped again, this time to Version 1.13. The new version is not needed for anyone with an existing functioning version, but includes new software detection code allowing Giocoso to be successfully installed on the Raspberry Pi when it's running Manjaro. Giocoso was previously tested as working correctly on Raspbian (basically, Debian on Raspberry Pi and sometimes called Raspberry Pi OS), but not on the many other distros and operating systems that can be run on the Pi. I don't have the time (nor the inclination!) to test all those OS/Distro/Pi combinations, but I do run Manjaro as my main desktop (on an Intel processor), so I was naturally curious about how it would run on the Pi (OK, as it turns out!) and thus discovered by accident that Giocoso's detection of ImageMagick on that platform was faulty.
Anyway, it's fixed now. [...]
As I mentioned a couple of posts back, I recently re-installed Manjaro on a new small form factor Lenovo PC. All has been running well, except that in the last couple of days I noticed that Giocoso had developed a strange habit of not displaying "accented characters" properly: that is, Giocoso suddenly didn't seem able to display letters with their correct diacritic marks, such as é, ê, ß, ö, ç and so on.
For example, this is what Giocoso displayed this morning: [...]
To recap the story so far: I organise my music on disk in a Composer/Genre/Composition hierarchy. I sometimes play music via the Emby Media Server. Emby does not, however, really support a Composer/Genre/Composition hierarchy, tending to go directly from Composer to Composition. Fortunately, if you use Folders view, Emby will mirror your physical layout of files and folders on disk exactly. But -and this is the point we reached in the last post- Composer artwork you may have applied to Emby's Artist View doesn't display in the Folders view... but, if you arrange for JPGs of each composer to be present in each composer folder, named precisely the same as the folder, it will display composer artwork in Folders view automatically.
This gets us 90% of the way to a usable Emby interface -but, unfortunately, it leaves us with some fairly ugly display screens to wade through on the way to finding a particular piece of music to play. [...]
To begin with, a bit of a recap of the past two blog pieces.
I began this mini-series by reiterating the way I catalogue my music. Fundamentally, it's just organised in Composer/Genre/Composition order. Then, in the second episode, I explained how I used Emby Media Server to share my music around the house, to the car and to overseas hotel rooms... but that Emby didn't honour the cataloguing hierarchy I'd adopted, but instead simply displayed things in Composer/Composition order, missing out the Genre. This was a failing I could live with, though, since Emby isn't the main way I listen to music. [...]